The controversy surrounding an alleged relationship between gospel musician Ernest Opoku and actress cum movie producer Nayas 1 does not seem to go away as the actress has revealed more disturbing information surrounding their relationship.

It will be recalled that Nayas 1, known in real life as Gladys Mensah Boaku, and CEO of NAYAS Film Production told Kojo Preko Dankwa on Kasapa Entertainment on Kasapa 102.5FM, she fell deeply in love with Ernest Opoku after their first sex experience but she’s no more interested in the gospel artiste because of his sexual escapades with many women.

The producer of ‘Endwene Bone’ revealed that the ace gospel musician after having sex with her told her to consult a native doctor for protection so she can sustain her career in the movie industry.

Nayas 1 has repeated this same allegation on SVTV in an interview stressing that the ace gospel musician asked her to bring certain items for him to do some rituals for her to help protect her in the movie industry.

According to the “Endwene Bone” producer, Ernest Opoku confided in her that he has done the same thing to protect his career, the reason why he is on top of the gospel game and always churn out award-winning songs.

“He told me he does those things that is why when he releases any music it becomes an instant hit so I should allow him to do same for me. But I told him I was afraid, because even though people do not buy cd’s anymore, but when my movie was released we sold fifteen thousand (15000) copies in just two months”

“He also told me to buy a black ‘chaley wote’, write the names of all the ten regions on it and burn it, after I should give him the ashes for something, that my name will be known worldwide, but I didn’t because I honestly don’t believe in such things,” Nayas 1 said.

Asked whether she was not afraid Ernest Opoku will harm her, Nayas said: “Ernest Opoku can’t kill me because he is not God, I don’t have any medicine man to protect me but I believe he cannot kill me.”

Nayas 1 also revealed that the level of Ernest Opoku’s womanising could be likened to someone who is being controlled by a ‘high spirit’ because he seems unable to control himself around women who look good.